![]() ![]() Cause I can only get so skinny by Saturday man. Underdog is a feature-length documentary about a hardscrabble Vermont farmer who risks losing the only home he’s ever known to chase his dreams of dog mushing in Alaska. She has remained away from the public eye just like her mother while breaking away from the norm of many young adults her age to stay off social media. Charles Barkley himself is a father to a daughter, Christina Barkley, through his marriage with Maureen Blumhardt. I’ve been really working out hard because apparently they’ve got to pick me up in a chair. Christiana Barkley is the daughter of Charles Barkley and his wife, Maureen Blumhardt. According to FanBuzz, their home is worth nearly 2.8million. ![]() ![]() and Charles Barkley said he would kiss Kenny Smiths ass if Yao scored. They currently live in Scottsdale, Arizona. Yao Ming (Chinese: born September 12, 1980) is a Chinese basketball executive and. "I've been really working out hard because apparently they gotta pick me up in a chair," Charles told host Jimmy Kimmel, who inquired if Christiana's future husband is Jewish.Ĭonfirming, Charles added with a laugh, "Listen, I need all Jewish people on deck, brother. His daughter, Christiana, was to wed Ilya Hoffman, who is Jewish, at a Scottsdale, Arizona, resort. Barkley and Blumhardt married on February 9, 1989, and have been together since. While appearing virtually as a guest on Jimmy Kimmel Live on Tuesday evening, the 58-year-old former professional basketball player spoke candidly about his daughter Christiana Barkley's special day, which is set for this weekend.Ĭalling Christiana "the most important thing" in his life, the Inside the NBA analyst said he is "so excited" for his daughter, 38, and his future son-in-law, Ilya Hoffman, noting that he even lost weight for the occasion. Christiana Barkley is the daughter of Charles Barkley and his wife, Maureen Blumhardt. 'Cause I can only get so skinny by Saturday, man. ![]() Charles Barkley is looking forward to a very special moment in his daughter's life - her upcoming wedding day! 'Listen, I need all Jewish people on deck, brother,' Chuck told Jimmy Kimmel about the chair lift. NBA legend and analyst Charles Barkley once revealed the ultimatum he gave to his daughter. ![]()
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![]() ![]() So, you…Ī.Reassess the stock as if it were a fresh investment.ī.Hold on to it until it gets back to at least its original price. ![]() Q.You buy a stock, but its price drops 25% following dismal earnings in the next quarter. So, here are eight questions that will help you understand if you have any biases and what you can do to avoid them. It can help lower the risks and improve our financial well-being in the long run. Understanding our biases can help us overcome these issues and turn us into better investors and savers. Instead of being rational about our money, we are swayed by emotions and impulses, which prevent us from arriving at objective decisions. These behavioural biases often come to the fore when we take financial decisions. Most of these prejudices are subconsious and often cloud our judgement, whether it is about the career we want, the person we want to marry, or how we should spend and invest our money. Seems impressive, doesn’t it? If, however, you factor in the possibility that the same 10 results fit thousands of people, you may have a better understanding of the psychological pitfall of biases.Īll of us invariably have personality quirks, preferences and perceptions about ourselves. If it isn’t, you simply take the test again, and the second time, you get it right. Surprisingly, you always find the answer to be 80-100% correct. "Even if you borrow extra, it can end up costing you less," said Sullivan, in terms of APR and other fees.Have you ever taken one of those personality quizzes on the Internet? The ones where you answer a handful of questions to identify the kind of person you are. If you have good enough credit to qualify for a decent interest rate, you might be better off borrowing a little more with a longer repayment period to give yourself some breathing room. "It doesn't get you into that revolving door of loans or cash advances." If you have a flat tire and you've got no money and you have to get to work, this might be a preferable option especially if your bank doesn't charge a fee, said Sullivan. Most banks and credit unions, along with apps like Chime, offer the ability to overdraw your account. That way you won't have to pay fees, interest or share banking information. If it won't jeopardize your relationship, you might simply ask a family member or friend to spot you until payday. If you need money fast, look for cards that let you use them instantly. ![]() If you have strong credit, you may qualify for a credit card that has no interest on purchases for a period of time, which can be 12 months or beyond. When you borrow using online apps, you get a chance to compare offers, and that's something Sullivan suggests people should take advantage of in order to find the most favorable terms. ![]() "Some people simply don't want to see someone face-to-face," said Sullivan. For people who find themselves short of funds because of poor planning, there could be a level of embarrassment to have to walk into a bank or ask someone in person to lend them money. "It usually takes around 10 to 15 minutes, and that can be both a blessing and a curse," said Vincent Birardi, certified financial planner and wealth advisor at Halbert Hargrove. Start by simply downloading the app, and you'll be prompted to enter some basic information and your bank account login information. "If you're in a hurry – and a lot of people who need loan apps are in a hurry – you can probably find something that will provide cash the same day." "Most traditional lending sources can take two to three days to get a loan approved," said Sullivan. ![]() ![]() Coop recorded extensively several of her recordings were nominated for Juno awards. Earlier she created, with her husband, radio and festival producer George Laverock, the Skylark recording label. In 1989 she received a Killam Research Prize at the University of British Columbia. Active as an accompanist too, Coop played in recitals of lieder and art songs with Ingemar Korjus, Rosemarie Landry, Janet Stubbs, and Catherine Robbin she also performed chamber music with violinists Andrew Dawes, Martin Beaver, and others. 2 (Vancouver, 1989), and the world premiere recording of Malcolm Forsyth's Piano Concerto (SMCD 5124, 1993). Her premieres include Kristi Allik's Fragments (London, 1979), Stephen Chatman's Black and White Fantasy (Winnipeg, 1981), John Beckwith's Etudes (Vancouver, 1984), Jean Coulthard's Sonata No. Throughout her career she also played frequently on radio - including CBC, BBC, KRO (Holland), Polish Radio (Warsaw), NPR, and CJRT - and on television. Coop toured Asia in 1994, performing in Japan, China, and Hong Kong. She also played on numerous occasions in the USA (eg, with the Seattle and Oregon symphony orchestras) and in Canada with all major orchestras including the NACO, and the Edmonton, Saskatoon, Vancouver, Victoria, and Winnipeg symphony orchestras, and with such chamber ensembles as the Orford, Purcell, and Colorado string quartets and the York Winds. Concurrently with this commitment, she maintained an active concert career, appearing as recitalist or soloist in, among other places, New York, London, Washington, Moscow, Paris, Warsaw, Brussels, Budapest, Kiev, St. In 1979 she gave her London debut in Wigmore Hall.Ĭoop was Kuerti's teaching assistant in Toronto 1976-80, then she began teaching at the University of British Columbia, where as of 2003 she remained as professor of piano and chamber music. ![]() She was a member 1975-6 of the Harvard Summer School Chamber Players and in 1976 toured in New England with the NACO. Between 19 she appeared 10 times with the TS she also played with the CBC Vancouver Chamber Orchestra in 1972 and with the Calgary Philharmonic in 1976. ![]() In 1977 she was a finalist in the Munich International Piano Competition (Bavarian State Radio). In 1975 she won the Washington International Competition, and also the only prize for piano performance awarded in the New York Concert Artists' Guild Competition. In the meantime, she made her debut at the St Lawrence Centre in 1973. She moved back to Toronto but, with the assistance of two Canada Council grants, continued to study with Fleisher until 1976. She studied 1972-3 with various teachers, including Peter Feuchtwanger, in London and 1973-4 with Leon Fleisher in Baltimore. Forsyth Memorial Scholarship (for study in Europe) in 1971, and the Baldwin Prize in the Maryland International Piano Competition in 1972. She won the CBC Talent Festival in 1970, the W.O. She continued her studies 1968-72 with Anton Kuerti in Toronto. She grew up in Calgary (from 1952) and studied there with Alexandra Munn and Gladys Egbert. Pianist, teacher, b Saint John, NB, Artist Diploma (Toronto) 1971, B MUS (Toronto) 1972, M MUS (Peabody Conservatory) 1974. in Industrial Engineering/Operations Research from Kansas State University.Jane (Austin) Coop. Jane holds bachelor’s and master’s degrees in Computer Science and Engineering from Shanghai Jiao Tong University, as well as a Ph.D. Prior to that, she held executive engineering positions at IPLocks (acquired by Fortinet) and Borland. Before joining EMC, Jane served as vice president of Engineering for TIBCO Software, where she was responsible for Security Information and Event Management product portfolios. Jane joined Veritas from Dell EMC, where she was vice president of the Data Protection Software Group and general manager for Mozy Business Unit. ![]() She has more than 20 years of experience leading engineering organizations to build enterprise products/solutions in the areas of data protection, big data management and analytics, database security, application life cycle management, middleware, and network application monitoring. Jane is a strong technologist and leader and has excelled at building and nurturing strong teams. She joined Veritas in 2017 and led the Data Protection and Governance Engineering team through multiple significant product releases during her tenure in the role. In this role, Jane is responsible for leading a combined organization that includes IT, Facilities, Finance, Analytics, and Program Management functions. Jane Zhu serves as SVP, Corporate Operations. Jane Zhu Senior Vice President, Corporate Operations ![]() ![]() MD: Did you have your hands in any of the programming, or did you leave that all up to the programmers? “Hey why don’t you try this” or “just do that on the hi-hat” or “hit that cymbal….” So I like it to be nice and quiet with just me and the producer or engineer. Roger: Initially we’ll jam as a band, get all the changes and the structure of the song, and then I’ll record my parts when no one else is around. MD: How do you prefer to record your tracks? And it’s very relaxing sometimes you don’t have to worry about tempo, you can just get dig into the groove, you know you’re always going to be on exactly the right tempo. So I’m fairly comfortable with that live. Nick is always running sequences, and I’ve always had to keep in time with what he’s doing. There’s a whole box of tricks going on there.Īnd I’ve always played to a click on stage. This is the first time I’ve got a full sit-down electronic kit that triggers samples. I’ve always combined electronics into my kit. Roger: Yes, but I’ve moved a step further by actually playing a whole kit rather than just pads. MD: That’s similar to what you’ve done in the past with the Simmons pads. ![]() I’m also experimenting with using triggers on my acoustic kit. So I’m actually playing the original samples from the album. I also took samples from the album and put them into a Roland sampler, and I’ll trigger them. I have my Tama acoustic kit set up in front of me, and I’ll play some of the songs very organically on that “real” kit, but I’ve also got my V-Drum kit to my left, which is a full TD-20 setup. Drum-wise, it’s a mixture of programmed drums, with a V-Drum kit, and quite a bit of organic drums. Roger: Thank you, that means a lot coming from another drummer. MD: I like how you incorporated all this live. I think that’s another thing that was very attractive to us: We could feel that moving more into our direction. And if you listen to Justin Timberlake and Nellie Furtado’s last CD, they were kind of moving into a new wave area, with a contemporary edge to it. But we’ve moved into a more experimental area, and I think the new album had to be very different from Astronaut. The last album, Astronaut, was all about the five original band members getting back together again, and the album had to kind of represent that original five. We always like to push the boundaries a bit we don’t like to get stuck where we were. I know for a fact that he’d love to work with Coldplay. He mentioned that he wanted to move away from just hip-hop and start producing some more rock bands. MD: You might have even taught him a thing or two…. ![]() We’ve used drum machines and programming in the past, and always mixed it with live instruments, so it was fairly familiar territory for us. But we have a history of working with dance producers and working with the technical side of things, so it was actually quite a good fit for us. I think he’s just used to programming all the tracks for an artist and delivering the finished piece of music. Roger: It was a very interesting experiment, because I don’t think he’s ever worked with a full band before. MD: How was it working with Timbaland on the new record? But let’s begin our visit with Roger talking about that great new album… ![]() Of course, the second set featured all Duran Duran’s classic songs, and that’s when the crowd really went nuts. ![]() Typically, all the shows were wildly successful, especially considering that the group opened with a set comprised entirely of material from the new album-a bold move for any band. MD caught up with Roger Taylor while he was in the UK rehearsing for a string of Broadway concerts to debut Red Carpet Massacre. (“Rio” topped a global AOL survey for the Best Music Video Of All Time.) They’ve also won two Grammy awards for their music videos. After all, the band-keyboardist Nick Rhodes, singer Simon Le Bon, bassist John Taylor, and drummer Roger Taylor (guitarist Andy Taylor decided to bow out for this one)-have been on the cutting edge of contemporary sound since making their debut twenty-nine years ago.ĭuring the past three decades, the group-who People magazine once crowned “the prettiest band in rock”-have placed twenty-one singles on the Billboard Hot 100 chart, placed thirty singles in the UK Top-40, and sold more than 85 million records. It shouldn’t be much of a surprise that Justin Timberlake, Timbaland, and Nate “Danja” Hills signed on to co-produce Duran Duran’s latest CD, Red Carpet Massacre. ![]() ![]() ![]() It’s especially beneficial if you struggle with dryness and breakage. You can do this method no matter what curly hair type you have. The water dilutes the conditioner, allowing it to better penetrate your hair as you squish.ĭoing the squish-to-condish method is a good way to encourage curl clumping and hydration, resulting in more defined and less frizzy curls. This method involves applying a generous amount of conditioner to your hair, cupping your hands to collect water, and squishing the water into your curls while rinsing the conditioner out. ![]() Condish, on the other hand, is slang for conditioner. Squish or squishing means cupping your hands and scrunching your hair upward in the direction of the scalp. Squish to condish is a technique that involves using conditioner and water to hydrate your hair. So read on if you’re ready to start enhancing your curls and say goodbye to dryness. This technique can completely transform your hair, leaving your curls looking defined and feeling soft.īut how do you do this method? And will it work for your hair? In this article, we’ll break down the squish-to-condish technique and provide tips and tricks to make it work for your unique hair type. Squish to condish is a method popular in the Curly Girl community that involves squishing water and conditioner into your hair. ![]() Luckily, there’s a technique that can help: squish to condish (or S2C for short). So we know it’s challenging to keep your locks properly hydrated when you have naturally curly or even wavy hair. Since curly hair has twists and patterns, it can be challenging for the hair’s natural oils to cover each strand. This post may contain affiliate links, which means I may receive a small commission, at no cost to you, if you make a purchase. ![]() ![]() ![]() To convert 70 nm to ft lbs, divide 70 by 1.356 or multiply by 0.738.ħ0 newton meter = 51.6224 foot pounds. 1 If your calculation involves inch-pounds, you can convert between inch-pounds and foot-pounds here. Torque is a measure of the rotational force that causes an object to turn about an axis. Newton-meters and foot-pounds are both units of torque in the International System of Units. ![]() To convert 70 nm to ft lbs, divide by 1.356. Pound Force Foot : The pound force-foot, or pound-foot (lbft or lbfft) is a unit of torque which is a pseudovector. To convert your Nm figure to ft/lb, simply divide it by 1.356. 5 Nm Amazon Basics 1/4-Inch Drive Click Torque Wrench - 20-150 inch-lb, 2. ![]() How to Convert Foot-pound to Newton Meterġ5 ft*lbf = 15 × 1.3558179483 N*m = 20.Online Calculators > Conversion > nm to ft lbs 70 nm to ft lbsħ0 nm to ft lbs torque conversion calculator is used convert 70 newton meters to foot pounds and vice versa. The Light Bee X has become a worldwide phenomenon thanks to its accessibility, edgy design. Im not sure about its quality (other users here seem happy) but 5 ft-lb. As such, the use of the newton-meter as a unit of work or energy is discouraged to avoid confusion regarding whether energy or torque is being expressed.įoot-pound to Newton Meter Conversion Table Foot-pound History/origin: The use of the newton-meter as a unit of work or energy is derived from the fact that the joule, the SI (International System of Units) unit of energy, is dimensionally equivalent to the newton-meter.Ĭurrent use: The newton-meter is more commonly used as a unit of torque rather than as a unit of work or energy. Two Decimal Point Results 70 NM (Newton Meters) is equal to 51. In this use, it is defined as the energy transferred to an object by a one newton force acting on that object in the direction of its motion over a distance of one meter. Until 1901, when the General Conference of Weights and Measures adopted a standard acceleration due to gravity of 9. History/origin: The pound-force is part of the foot-pound-second (FPS) system of units. m) is sometimes used as a unit of work or energy and in this context is equal to the joule, the SI unit of energy. Under this definition, with mass in terms of slugs, one pound-force is equal to 1 slug·foot/second 2.For all these units, the word 'force' is often left out, such as pound-force-inch, abbreviate to simply 'pound-inch'. Newton-meterĭefinition: The newton-meter (N The units of pound-force-foot, pound-force inch, and ounce-force-foot are also used for toque. The United States is one of the largest countries where the foot-pound is still used in certain applications, though even in the US, the joule is preferred in most scientific contexts. 73756ftlb The Energy E in foot-pound (ftlb) is. ![]() The FPS system is built using the units of foot for length, avoirdupois pound for mass or force, and the second for time.Ĭurrent use: The foot-pound is used in countries that have not adopted the International System of Units (SI). To convert newton meters to foot pounds, multiply the value in newton meters by 0. History/origin: The foot-pound is an English Engineering unit that is part of the British Gravitational system, based on the foot-pound-second (FPS) system. 7376 How to use this Torque Conversion Calculator Input the torque measurement, in Newton-Meters, and the calculator will convert it to ft-lbs and in-lbs. It is defined as the energy transferred when a force of one pound-force is applied over a linear displacement of one foot. To convert Newton Meters to in/lbs and ft/lbs, use the equations: Inch Pounds (in/lbs) Nm x 8.85 Foot Pounds (ft/lbs) Nm x. lbf) is a unit of work or energy in the imperial and United States customary systems of units. To convert 70 nm to ft lbs, divide 70 by 1.356 or multiply by 0.738. ![]() ![]() ![]() There’s harpist Dorothy Ashby using the poetry of Omar Khayyam as a leaping off point for a wild album of bop symphonics and bossa nova grooves Archie Shepp getting funk and free with his homage to the African holiday that gave the 1974 album its name and Gabor Szabo trading guitar licks with Jimmy Stewart while the rest of his band hits Latin psych high notes like Santana at their best. These four LPs represent the huge range of music that falls under the jazz umbrella. For proof of that, look no further than these reissues produced for Verve’s By Request series. ![]() ![]() The engineers take their jobs very seriously and the collectors of the world have been benefiting from that. The recent announcement that Blue Note Records was going to be partnering up with Third Man Pressing, the vinyl production plant in Detroit that is part of Jack White’s empire, for a series of reissues is just further evidence of the quality of the work being done over there. This month, that includes a ton of fantastic jazz reissues, new tunes from an Atlanta quartet with deep roots in the rock world and another stunning entry into the discography of a living legend.ĭorothy Ashby: The Rubáiyat of Dorothy Ashby / Gabor Szabo: The Sorcerer / Ahmad Jamal Trio: The Awakening / Archie Shepp: Kwanza (Verve / UMe) Rather than run down every fresh bit of wax in the marketplace, we’ll home in on special editions, reissues and unusual titles that come across our desk with an interest in discussing both the music and how it is pressed and presented. Record Time is Paste’s monthly column that takes a glimpse into the wide array of new vinyl releases currently flooding record stores around the world, and all the gear that is part of the ongoing surge in vinyl culture. ![]() ![]() ![]() The Mercian dialect thrived between the 8th and 13th centuries and was referred to by John Trevisa, writing in 1387: Early examples of Middle English literature are the Ormulum, Havelock the Dane, and Thomas of Hales's Love Rune. With time, the English language regained prestige, and in 1362 it replaced French and Latin in Parliament and courts of law. Other transitional works were preserved as popular entertainment, including a variety of romances and lyrics. Layamon's language is recognisably Middle English, though his prosody shows a strong Old English influence remaining. Around the turn of the thirteenth century, Layamon wrote his Brut, based on Wace's twelfth century Anglo-Norman epic of the same name. ![]() ![]() While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language. Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers. Political power was no longer in English hands, so the West Saxon literary language had no more influence than any other dialect. The Norman dialects of the ruling classes became Anglo-Norman, and Old English underwent a gradual transition into Middle English. Under the influence of the new aristocracy, Law French became the standard language of courts, parliament, and polite society.Īs the invaders integrated, their language and literature mingled with that of the natives. In the late 15th century William Caxton printed four-fifths of his works in English, which helped to standardize the language and expand the vocabulary.Īfter the Norman conquest of England, the written form of the Old English language continued in some monasteries but few literary works are known from this period. The latter portion of the 14th century also saw the consolidation of English as a written language and a shift to secular writing. In the fourteenth century major works of English literature began once again to appear, including the works of Chaucer. Early examples of Middle English literature are the Ormulum and Havelock the Dane. Other transitional works were popular entertainment, including a variety of romances and lyrics. Around the turn of the thirteenth century, Layamon wrote in Middle English. The Norman dialects of the ruling classes mixed with the Anglo-Saxon of the people and became Anglo-Norman, and Anglo-Saxon underwent a gradual transition into Middle English. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle.Īfter the Norman conquest of England, Law French became the standard language of courts, parliament, and society. There are three main categories of Middle English literature, religious, courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. In literary terms, the characteristics of the literary works written did not change radically until the effects of the Renaissance and Reformed Christianity became more apparent in the reign of King Henry VIII. Between the 1470s and the middle of the following century there was a transition to early Modern English. During this time the Chancery Standard, a form of London-based English became widespread and the printing press regularized the language. The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the late 12th century until the 1470s. ![]() ![]() ![]() ![]() Chicago Mercantile: Certain market data is the property of Chicago Mercantile Exchange Inc. US market indices are shown in real time, except for the S&P 500 which is refreshed every two minutes. Your CNN account Log in to your CNN account Sign up to CNN’s Royal News, a weekly dispatch bringing you the inside track on the royal family, what they are up to in public and what’s happening behind palace walls. The couple have repeatedly spoken out about the intense media scrutiny and pattern of negative coverage they have faced since their relationship was revealed in 2016. The Duke and Duchess of Sussex cut off all dealings with four big British tabloid newspapers including the Daily Mail in April 2020 after years of strained relations. Turning to what comes next, Nicklin said: “The next step, will be for the defendant to file a defence to the claim… It will be a matter for determination later in the proceedings whether the claim succeeds or fails, and if so on what basis.” “That supplies the necessary element to make the meanings defamatory at common law.” “It may be possible to ‘spin’ facts in a way that does not mislead, but the allegation being made in the Article was very much that the object was to mislead the public,” Nicklin added. Nicklin said in his judgment that a reader of the article would think the Duke of Sussex was “responsible for public statements, issued on his behalf, which claimed that he was willing to pay for police protection in the UK, and that his legal challenge was to the Government’s refusal to permit him to do so, whereas the true position, as revealed in documents filed in the legal proceedings, was that he had only made the offer to pay after the proceedings had commenced.” ![]() Nicklin noted that the article would have led readers to believe that Prince Harry “was responsible for trying to mislead and confuse the public as to the true position, which was ironic given that he now held a public role in tackling ‘misinformation.’” This judgment is only the first stage in the case, with the publisher now expected to file a defense. On Friday, the judge ruled that parts of the article were defamatory. Meghan, Duchess of Sussex to receive confidential sum from UK newspaper for copyright infringementĪt the preliminary hearing, Justice Matthew Nicklin was asked to determine the “natural and ordinary” meaning of the article and consider whether it was defamatory. (Photo by NDZ/Star Max/GC Images) NDZ/Star Max/GC Images/Getty Images Meghan Markle at Global Citizen Live on Septemin New York City. Barristers for ANL rejected the claims and said there was “no hint of impropriety on any sensible reading of the article.” In a written statement at a preliminary hearing last month, lawyers for the duke argued that the piece falsely suggested Harry had “lied” and “improperly and cynically tried to manipulate and confuse public opinion,” according to the PA Media news agency. The article, which still appears on the newspaper’s website, was published in February with the headline: “Exclusive: How Prince Harry tried to keep his legal fight with the government over police bodyguards a secret… then - just minutes after the story broke - his PR machine tried to put a positive spin on the dispute.” The Duke of Sussex is suing Associated Newspapers Limited (ANL) after one of its publications, the Mail on Sunday, published a story about the duke’s separate High Court case against the UK’s Home Office concerning security arrangements when he and his family visit the country. When they get desperate to hang on to power it’s OK to kill opponents.Parts of a tabloid article alleging that Prince Harry tried to keep a legal challenge against a British government department a secret were “defamatory,” a UK High Court judge ruled on Friday. So THAT’S why these crooks hang together. Dr.Kelly, on the other hand, died while a LABOUR government argued the case for ANOTHER military intervention, in its own delusion that it could emulate Thatcher. Of course, Hilda died during a TORY government at the peak of its desperation, delusion and paranoia. As in the case of the manslaughter or murders of Hilda Murrell and then Dr.Kelly, the reluctance of so-called democratic UK governments to expose unpalatable facts in a public inquest, and to bury the relevant files and other evidence for so many decades, and to fit up someone who is merely mad, bad or sad for something they could not possibly have done, as in the case of Hilda Murrell and then Jill Dando is, in itself, all the proof anyone needs – that this state sponsors State Killers, regardless of political ascendancy. ![]() ![]() We have the lowest prices anywhere on Chamberlain garage door openers, and our inventory is always in stock, ready for immediate shipping. With us, you can purchase this top brand of garage door openers for an incredible wholesale price. Protect your home, family, and possessions with Chamberlain garage door openers and remotes from Gatehouse Supplies. Chamberlain's accessories for your vehicle and garage are designed to give you control over your own home. The Newest Chamberlain products from Gatehouse Supplies can keep you connected to your home at all times, so you are never concerned about whether or not you left the garage door open. Browse Gatehouse's complete collection of Chamberlain remote control transmitters.Ĭhamberlain is dedicated to exceeding customers' expectations by providing exceptional garage door openers and garage door remotes that guarantee convenience. The Gatehouse features the complete line of Chamberlain remote control for garages and electric gates, including the popular Chamberlain universal remote. ![]() Safety Equipment, Sensors, Loop systems etcĬhamberlain Garage Door Openers & Remotes Chamberlain Models Include: 750CB, 753CB, 850CB, 853CB, 950CB, 953CB, 956CB, 950D, 953D, 953CD, 953T, & 956D. ![]()
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